Unreliable Narrators: The Book Lovers’ Guide to Stories You Can’t Trust
- Joleen Raquel

- Oct 20
- 4 min read
There’s a certain kind of book that makes you question everything you’ve just read. You flip back a few pages, reread a line, and think, Hold on… did they really just lie to me? That moment of confusion and awe?
That’s the magic of an unreliable narrator.
When I first realized narrators could lie or be completely wrong about what’s happening, it changed how I read forever. Suddenly, every story felt like a mystery I was trying to solve, even if it wasn’t technically a mystery novel.
What Exactly Is an Unreliable Narrator
An unreliable narrator is someone who tells the story but can’t be fully trusted. Sometimes they’re deceitful on purpose. Sometimes they’re too naive or traumatized to see the truth. And sometimes, they just interpret events through their own emotional lens, like all of us do.
It’s one of the oldest storytelling techniques in the book. Edgar Allan Poe was doing it in The Tell-Tale Heart long before it became trendy. But it still feels fresh today because it taps into something very human: our tendency to see what we want to see.
Here are a few of the main types you’ll come across:
The Liar: They’re intentionally manipulating you. Think Amy Dunne in Gone Girl.
The Naive One: They tell the truth as they understand it, but their view is limited. Jack in Room and Scout in To Kill a Mockingbird both fit this category.
The Addled Mind: Addiction, trauma, or mental illness distort their perception. Rachel in The Girl on the Train is the perfect example.
The Dreamer: They live in a fantasy version of events, like Pi in Life of Pi or Humbert in Lolita.
The Historian: They reshape the past to make peace with it. Briony in Atonement has been doing damage control her entire life.
Sometimes they’re frustrating. Sometimes they’re heartbreaking. But when done right, they make a story unforgettable.
Why It’s Important to Notice
Once you realize a narrator might not be reliable, you stop taking everything at face value. You become an active reader, questioning motives, analyzing tone, and paying attention to contradictions. It’s like being part of the investigation instead of just reading the report.
And in a world where everyone is constantly curating their own stories online, learning to spot unreliability isn’t just a literary skill. It’s a life skill.
It also hits on a deeper truth: we’re all unreliable narrators in our own lives. I can’t count how many times I’ve told a story from memory only for someone to correct me later. It’s humbling to realize how easily our emotions rewrite reality. That’s why unreliable narration works so well. It feels real.
Books That Do It Right
If you want to experience unreliable narration done beautifully, start with these:
Gone Girl by Gillian Flynn - This is the gold standard. Both Amy and Nick twist the truth in ways that make you question everything you think you know about marriage, media, and morality.
The Girl on the Train by Paula Hawkins - Rachel’s memory gaps make her a mess of a narrator, but that’s what makes her human. You spend most of the book unsure whether she’s a victim or part of the problem.
We Were Liars by E. Lockhart - A haunting YA story about memory and guilt. The fragmented storytelling builds until the reveal knocks the wind out of you.
Atonement by Ian McEwan - One of my all-time favorites. Briony’s unreliable narration isn’t about lying. It’s about guilt, storytelling, and the lifelong consequences of one false perspective.
Fight Club by Chuck Palahniuk - If you haven’t read it yet, don’t Google the twist. This is one of those books that rewards rereading once you know what’s really going on.
Before I Go to Sleep by S.J. Watson - Imagine waking up every morning with no memory of who you are, only to discover someone else has been filling in the blanks for you. It’s eerie and unsettling in the best way.
The Secret History by Donna Tartt - Richard doesn’t technically lie, but his selective storytelling makes you realize how bias and class can shape the version of truth we tell ourselves.
Why Writers Love It (and Why Readers Keep Falling for It)
For writers, unreliable narration is irresistible. It lets you play with structure, perspective, and trust. You’re not just telling a story; you’re creating an experience.
For readers, it’s the literary version of a roller coaster. You might think you’re reading a straightforward story, then suddenly the floor drops out from under you. You question the narrator, then yourself, then the author. It’s disorienting in the best way.
And honestly? There’s something satisfying about a story that outsmarts you a little.
Unreliable narration reminds us that truth is rarely clean-cut. Everyone has a version of events, a bias, a blind spot. That’s what makes storytelling powerful. It reflects how we really think and remember.
So the next time a narrator seems too confident, too emotional, or too vague, pay attention. Look closer. Ask yourself why they’re telling you the story this way. Because sometimes, the biggest clue isn’t what they’re saying. It’s what they’re leaving out.
Personal Thoughts
I’ve always loved narrators who make me question them. There’s something honest about imperfection, about seeing the world through someone who’s flawed and trying to make sense of it. It’s the same reason I love reading about characters who don’t have it all figured out.
The stories that stay with me aren’t the ones where everything makes sense. They’re the ones that remind me how memory, emotion, and self-preservation twist the truth. And how, even in fiction, that’s what makes us human.













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